{"id":7683,"date":"2025-02-25T10:27:28","date_gmt":"2025-02-25T08:27:28","guid":{"rendered":"https:\/\/staging.salvador-dali.org\/dali-i-gala\/gala\/el-mite-de-gala\/"},"modified":"2025-02-25T10:27:28","modified_gmt":"2025-02-25T08:27:28","slug":"el-mite-de-gala","status":"publish","type":"page","link":"https:\/\/staging.salvador-dali.org\/es\/dali-y-gala\/gala\/el-mite-de-gala\/","title":{"rendered":"El mite de Gala"},"content":{"rendered":"\n<div class=\"wp-block-columns col-text intro is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Gala se sent c\u00f2moda essent el centre de les mirades. T\u00e9 setze anys quan assisteix al seu primer ball a la cort del tsar, a Moscou, vestida de vermell. Un color que representa poder, seducci\u00f3, sexualitat. S\u00edmbol de l\u2019alliberament crom\u00e0tic als anys vint, el vermell amaga la idea d\u2019una revoluci\u00f3 \u00edntima, privada. \u00c9s el favorit de Christian Dior i tamb\u00e9 un dels colors fetitxe de Gala, que hi recorre en diverses performances dalinianes.<\/p>\n\n\n\n<p>A comen\u00e7aments dels anys trenta, a Par\u00eds,\u202fcouturiers, artistes, arquitectes i intel\u00b7lectuals es mouen en els mateixos cercles. Comparteixen idees, conceptes, t\u00e8cniques i llenguatges a l\u2019entorn del cos i la pell (aquell espai habitable). Punt de partida de trobades i afinitats que faran hist\u00f2ria; un jove Christian Dior aventurant-se a ser galerista, Elsa Schiaparelli experimentant amb el surrealisme i Gala albirant espais d\u2019oportunitat perqu\u00e8 l\u2019obra de Salvador Dal\u00ed abraci noves formes d\u2019expressi\u00f3. Eminentment pr\u00e0ctica, Gala deixar\u00e0 de banda la sobrietat de Chanel per l\u2019exc\u00e9s exc\u00e8ntric de Schiaparelli, per fer aix\u00ed gala i publicitat de la col\u00b7laboraci\u00f3 de Dal\u00ed amb la\u202fcouturier\u202fitaliana.<\/p>\n\n\n\n<p>Durant la seva etapa americana, Gala inventa noves pells medi\u00e0tiques i muta de nou: del dandisme al\u202fnew look\u202fde Dior. De la comoditat andr\u00f2gina a l\u2019encotillament (p\u00fablic) d\u2019una silueta que representa el retorn a la feminitat cl\u00e0ssica. I quan tornen a Europa despr\u00e9s de la guerra, Gala es vesteix de flor amb el vestit Mus\u00e9e du Louvre i l\u2019abric vermell Saint-Ouen, tots dos de la col\u00b7lecci\u00f3 d\u2019alta costura primavera-estiu de 1949 (el mateix any que\u202fMonsieur\u202fDior crea el seu llapis de llavis\u202fRouge).<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns col-2-imatges col-text is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"486\" src=\"https:\/\/staging.salvador-dali.org\/wp-content\/uploads\/2025\/01\/raonat-escultures-manual-53046.jpg\" alt=\"Agence France Presse, Salvador Dal\u00ed al seu apartament de Par\u00eds, 1932-1933. Getty Images\" class=\"wp-image-445\" srcset=\"https:\/\/staging.salvador-dali.org\/wp-content\/uploads\/2025\/01\/raonat-escultures-manual-53046.jpg 600w, https:\/\/staging.salvador-dali.org\/wp-content\/uploads\/2025\/01\/raonat-escultures-manual-53046-300x243.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Agence France Presse, Salvador Dal\u00ed al seu apartament de Par\u00eds, 1932-1933. Getty Images<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"744\" height=\"552\" src=\"https:\/\/staging.salvador-dali.org\/wp-content\/uploads\/2024\/12\/equip_int@2x.jpg\" alt=\"Carlos P\u00e9rez de Rozas, Salvador Dal\u00ed pintant l'obra Gala Plac\u00eddia al taller de Portlligat, c. 1952.\" class=\"wp-image-175\" srcset=\"https:\/\/staging.salvador-dali.org\/wp-content\/uploads\/2024\/12\/equip_int@2x.jpg 744w, https:\/\/staging.salvador-dali.org\/wp-content\/uploads\/2024\/12\/equip_int@2x-300x223.jpg 300w\" sizes=\"auto, (max-width: 744px) 100vw, 744px\" \/><figcaption class=\"wp-element-caption\">Carlos P\u00e9rez de Rozas, Salvador Dal\u00ed pintant l&#8217;obra Gala Plac\u00eddia al taller de Portlligat, c. 1952.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer separador25 mb-0 mt-0\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Gala se sent c\u00f2moda essent el centre de les mirades. T\u00e9 setze anys quan assisteix al seu primer ball a la cort del tsar, a Moscou, vestida de vermell. Un color que representa poder, seducci\u00f3, sexualitat. S\u00edmbol de l\u2019alliberament crom\u00e0tic als anys vint, el vermell amaga la idea d\u2019una revoluci\u00f3 \u00edntima, privada. \u00c9s el favorit [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1406,"parent":7677,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-7683","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El mite de Gala - Fundaci\u00f3 Gala - Salvador Dal\u00ed<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El mite de Gala - Fundaci\u00f3 Gala - Salvador Dal\u00ed\" \/>\n<meta property=\"og:description\" content=\"Gala se sent c\u00f2moda essent el centre de les mirades. 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